#Jonas space punks mac

Sp: I decided immediately because that’s my survival instinct.

How soon after March 2020 did you decide to forge ahead at such a pace online? Twi-ny: SPC was one of the most active companies during the pandemic lockdown. Stephen petronio: It’s all of those things but particularly with this body of work, it’s like finally, we can really focus in with a microscope on some of the details that are the underpinnings of what is at the center of a particular body of work and the delicious focus of what we do in the studio. Twi-ny: Let’s start with perhaps the most obvious question: How does it feel to be back working in theaters? At your open rehearsal following Fall for Dance, you said “it was exciting and frightening and emotional.” Stephen Petronio released the deluxe hardcover book In Absentia during the pandemic (photo by Sarah Silver) While preparing for SPC’s debut at La MaMa, the always engaging and candid Petronio answered questions about choreographing “when the world stopped,” returning to the stage, what music is on his current playlist, and more. In addition, Petronio is expanding his Bloodlines program, in which he restages classic works by such choreographers as Yvonne Rainer, Merce Cunningham, Martha Graham, and Trisha Brown, to include a “futures” section that so far has featured new commissions by Davalois Fearon and Mercer. Over that time, Petronio kept a quarantine journal that has been published in a deluxe hardcover limited edition, In Absentia, with lavish photos by Sarah Silver and Grant Friedman. Beaming in first from their individual homes, then gathering together at the Petronio Residency Center (PRC), a 175-acre haven in the Catskills, the tight-knit company performed new pieces, hosted online galas and master classes, put on a virtual season at the Joyce, and had a public birthday party for Petronio. , with music by LVDF, Heliopause, and Anne Müller.įounded in 1984, the Stephen Petronio Company was one of the busiest troupes during the pandemic. Petronio will also present the world premiere of Johnnie Cruise Mercer’s multimedia and then we hit the boundary where the sun’s wind ceases.

#Jonas space punks mac

The evening consists of eleven short solos and duets, going back to 1993, set to songs by the Stranglers, the London Suede, Anohni, Nick Cave, Elvis Presley, Yoko Ono, Rufus Wainwright, and Radiohead, as well as Igor Stravinsky’s “Le Sacre Du Printemps,” performed by Larissa Asebedo, Kris Lee, Jaqlin Medlock, Tess Montoya, Tiffany Ogburn, Ryan Pliss, Nicholas Sciscione, and Mac Twining. & BoweryĪt a recent open rehearsal streamed on Zoom, Newark-born, Manhattan-based choreographer Stephen Petronio said, “Wouldn’t it be fun to look back at some of those works from some of those smaller little gems that we love.” The result is “Petronio’s Punk Picks and Other Delights,” running November 18–21 at La MaMa. Stephen Petronio leads an open rehearsal in preparation for La MaMa shows (photo by Paula Court)Ħ6 East Fourth St.